Arcadia: The Wyld Hunt add from InQuest #15 (July 1996).
Arcadia: The Wyld Hunt add from InQuest #15 (July 1996).
In this post I list the Arts unique to Arcadia. (Or rather, they were unique to Arcadia at the time of publishing: a version of Skycraft was later included in Blood-Dimmed Tides.)
There are four such Arts: Imagery, Skycraft, Earthcraft, and The Human Art (the last two are names I made up, since they are never named). Skycraft and Earthcraft are unique to King Ironheart’s Madness. The Human Art is unique to The Wyld Hunt.
Imagery is the only Art unique to Arcadia that is actually named in the rules. This was already introduced in The Wyld Hunt, but only identified in the rules for King Ironheart’s Madness, since Naga Characters (which were introduced in that same set) can either start with extra Pyretics or Imagery Arts, depending on their gender. This, and “the Human Art” mentioned below, makes me think that the creators of Arcadia had plans to work more with the types of Arts in future sets as well.
Note: I do not have copies of the first two Arts listed here, Mirror, Mirror and Chameleon, and I haven’t found any images of these online. I assume they are Imagery, but I haven’t been able to check this.
You may spend a turn and consult your reflection for advice. Exhaust this Art and roll a die: 1 – You miss your next turn. 2 – The next Day you will move 1 League in the direction of your opponent’s choice. 3 – Your opponent can instantly relocate 1 of your Treasures to another League. He chooses the Treasure and the new League. 4 – You can skip 1 League the next Day. 5 – One of your Treasures of your choice is moved to your current League. 6 – You may take two Days in a row. (TWH)
Exhaust this Art to adopt the mask of your surroundings. If another character or Waylay is in your League that Day, you may exhaust a Savvy Ability to hide. As long as you’re hiding you cannot be encountered by another character or a Waylay. Once you move to another League, this effect ends. (TWH)
Exhaust this Art and a Might Ability to duplicate the opponent you’re facing. Your attributes are now the same as his. This effect lasts for 1 Test only. You may not use other Merits to affect the outcome of this Test. (TWH)
Exhaust to move one of your opponent’s Quest Treasures to another League. This must be played as your opponent is recovering the Treasure. (KIM)
Exhaust as another character enters a League. That character must now pass a Might Trial difficulty 6 before they can enter that League. Mirage remains until the character succeeds or 3 Days pass, whichever comes first. (KIM)
Skycraft manipulates the weather, and particularly wet weather (rains, storms, etc.). These Arts are all targeting your opponent, and mostly attempt to detain him for some time. This Art is not named in Arcadia, but was later included in Blood-Dimmed Tides, where it is particularly associated with the oceans. It is described there as follows (page 80):
Since the dawn of time, mankind has made offerings to the gods before undergoing an aquatic journey of any sort. The changelings who know Skycraft protect it well, as they understand the power of this potent Art. Masters of Skycraft can control the storms that whip the seas into their frenzy, and through this, the lives of whoever may be travelling there.
The cantrips given in that book do not correspond to the Art cards of Arcadia, and the Arcadia version of Skycraft is not restricted to the oceans (see Flood). But you could make this an Art for Selkie and Mer.
There are only 3 such Arts, all in King Ironheart’s Madness (and all are illustrated by the same artist, Andrew Kudelka). This is the least balanced set of Art cards: there are no 1, 2, or 3 point Skycraft Arts, and two 4 point Arts.
Exhaust to move your opponent 2 Leagues in the direction of your choice. The opponent may not be Waylaid on the new League until his next Day. (KIM)
Exhaust to cause another character to miss his next 2 Days. That character may make a Might Trial difficulty 7 to attempt to negate this Art. If he passes he is unaffected. (KIM)
Exhaust to force another character to make a Resolve Trial difficulty 6 in order to leave their current League. Storm Clouds remain until the character succeeds or 3 Days pass, whichever comes first. (KIM)
This Art is not named in Arcadia and has no counterpart in Changeling. I have named it Earthcraft, parallel to Skycraft, since all these Arts manipulate the earth—such as moving Leagues or changing the nature of a League. All of these appear in King Ironheart’s Madness. There are no 1, or 2 point Arts of this type.
Exhaust to move another character’s Base Camp to another location on the map for the duration of the Quest. The Base Camp may not be moved more than 3 Leagues in any direction, and must meet Terrain requirements as normal. (KIM)
Exhaust to ignore the Enter or Leave Trial on any one League. (KIM)
Exhaust to cause any one League to change its terrain type. Pick a new League card at random and replace the League you wish to change with it; Terrain requirements are ignored. Any Waylays or characters on the affected League remain there. (KIM)
Exhaust to move a League to another location on the map. The new location must meet normal terrain matching requirements. The League will remain there for 3 Days, then return to its original location. (KIM)
Exhaust to completely separate 1 League from the map. This League is put to the side, but is still in play. Roll a die to determine the number of days until the League rejoins the map, 1-3: 1 Day, 4-5: 2 Days, 6: 3 Days. If the character can fly, has a mount that can fly, or uses the Art Flicker Flash, he may Enter or Leave the separated League, or he may travel directly over the resulting gap in the map.
In The Wyld Hunt there are 3 Arts that can only be used by Human Characters (“Only Humans may take this Art” says each of these cards). I have no idea what this Art is called, and the three Arts are very different in nature, so it is difficult to give it a name other than the bland name “The Human Art”, but that is the best I can do for now 🙂 . If you have any information about this Art, please leave a comment! There are no Arts of this type in King Ironheart’s Madness
Only Humans may take this Art. You may exhaust this Art and spend a Day to move 3 Leagues in any direction. You are not affected by Terrain Trials on your destination League and you completely skip the first two Leagues. (TWH)
Only Humans may take this Art. You may exhaust this Art and 1 Savvy Ability to change any Waylay Test you’re facing to any other Test of your choice (a Combat Waylay can be changed to a Savvy Waylay, a Resolve Waylay to a Might Waylay, etc.) You may even change a Waylay into something it could not normally be. If you do this the rating for its new Attribute will be 1. (TWH)
Only Humans may take this Art. Exhaust this Art and 1 Resolve Ability to move any 1 Waylay to any other League in play. Normal Terrain conditions no longer apply to the Waylay being moved. (TWH)
Pyretics and Naming were both introduced in the Players Guide, together with a third Art: Spirit Link. Spirit Link is an Art that lets changelings communicate with the spirit realm and is exclusive to Nunnehi, or Native American changelings, who were not (yet?) introduced in Arcadia. Pyretics and Naming, however, were included and in King Ironheart’s Madness. Pyretics (and Imagery, which I will discuss later) were closely linked with the Naga.
As its name indicates, the Art of Pyretics is the Art of the manipulation of fire. The Changeling Players Guide has very little to say about it (page 169): “Half a million years ago, mortals discovered the lure and beauty of fire. The fae have been playing with its beautiful might for considerably longer. They can control the powers of the will-o’-the-wisp and create servants of living fire. This Art uses Glamour to weave and shape flame into pleasing shapes and effects.”
There are six Pyretics Arts in Arcadia: Will-o’-the-Wisp, Willow Light, Prometheus’ Fist, Burn & Boil, Star Body, and Inferno. All of these, except Inferno, are also Changeling cantrips.
Exhaust this Art to create a small sentinal of fire. You can send the Will-o’-the-Wisp 1 League ahead of you (it ignores Terrain Trials). If your opponent intends to Waylay you in the League onto which the Will-o’-the-Wisp has moved he must instead Waylay the Will-o’-the-Wisp. If he plays a Waylay, it remains on the League and will affect any who move there. If he does not play a Waylay, he cannot play one if you move to that League on the following Day. (TWH)
The wording of this card is a little confusing. I take it that the Will-o’-the-Wisp will always move 1 League ahead of you, and you move into its League the next day. That means the Will-o’-the-Wisp lets your opponent know where you intend to go, but it also lets you decide what Waylays you want to face. I take it that the Will-o’-the-Wisp is defeated when it encounters a Waylay.
Exhaust this Art to affect a target of your choice: a character, Ally or Waylay in your League or any adjacent League. The target subtracts 2 from their score on a Combat Test. This must be done just before the Test. (TWH)
In Changeling this cantrip’s used is more benign. From the Players Guide (page 170): “This cantrip will allow you to illuminate or cast auras of light upon objects or places. With this cantrip you can cause objects or people to glow or even cause an entire place to become lit with this phosphoresence.” In Arcadia this Art is used in combat to blind people, and thus give them a disadvantage.
Exhaust this Art to engulf a target of your choice in flames. The target must be on your League. This is a Might 3 Combat Test. For every Resolve Ability you also exhaust, increase the Might of this attack by 1. However, additional Merits or other effects cannot increase the potency of this attack. (TWH)
The Players Guide explains (page 170): “This cantrip allows you to completely engulf an object in flame. These objects will burn with tremendous heat, but will not affect you or the object, though they will burn anything else that they come into contact with. This cantrip is often used to create flaming weapons, inflicting horrible wounds upon the victim of such an attack.” The Arcadia Art is identical to this cantrip, but the wording is misleading: you don’t actually engulf your opponent (or Waylay or Ally) in flames, but your fists (or weapon), with which you then attack him and set him on fire.
Exhaust to add 4 to your Might in 1 Combat Test. (KIM)
This Art is like Prometheus’ Fists, but directly engulfs your opponent in fire.
Exhaust to create an ally of living flame to encounter one Waylay for you. This ally has Might 5 and Combat 5. (KIM)
From the Players Guide (page 170): “By performing this cantrip, you can transform something into living flame, keeping all its intrinsic abilities and powers intact—a cat will still be a cat, a sword will still be a sword, a person will still be able to move about and think for herself, etc. This cantrip is often used to create more formidable freehold guardians and other beasts. Anything considered part of an object or person will usually be transformed as well, such as equipments, weapons, etc. As with Prometheus’ Fists, the fire created by this cantrip does not harm the caster. The flame itself is magical, and will not ignite other objects unless a creature so transformed desires to.” In other words, you are not creating a creature of of thin air, but transforming an existing one, although maybe that works differently in Arcadia?
Exhaust to defeat any 1 creature Waylay. (KIM)
Inferno has no cantrip counterpart in Changeling. Given the power of this Art, I’m inclined to make any Character other than the caster who is on the same League as the affected Waylay, to make a Might Trial of 5, and exhaust a Merit if she fails.
This is a very powerful Art, that controls people and things by knowing their True Name, and should be used very sparingly. The Players Guide explains (page 171): “This is a rare Art guarded jealously among the court seers and few commoner namers of the Crystal Circle. Rumor has it that entrants into the Crystal Circle are all taught the secrets of this Art upon their joining—a rumor that august body has yet to deny or confirm. True Names hold the essence of Glamour, as well as the ability to control the soul of the being, if the namer is powerful enough. A powermongering seer could well control the flux of power within a court by injudicious use of the Naming Art. […] Beginning characters should not know the Naming Art, as it is rarely known to any but members of the Crystal Circle or high-ranking nobles.” The Crystal Circle is society of Seelie sorcerers, who guard this world from the Nightmares found in the Dreaming, and are rumoured to search for Arcadia. Members of the Crystal Circle are expected to have fully mastered one Art and be proficient in another (5 points in one, 4 points in the other) before they are admitted, and it is good rule to limit this Art to Characters who have done likewise.
The Arts’s strength do not entirely correspond to those of the cantrips in Changeling. Changeling has a different 1 point cantrip, Seek ‘n’ Spell, which is omitted in Arcadia. Runes, the 1-point Art, is a 2-point cantrip in Changeling, and all the others too are 1 point less in Arcadia, except for Reweaving, which is only a 5 point cantrip in Changeling but a 6 point Art in Arcadia. All of these, except Reweaving, are from The Wyld Hunt.
Runes can be used to create a specific Rune Ward. This Rune Ward acts as a Resolve or Might Terrain Trial difficulty 6 for anyone who wishes to enter that League. The character making the Rune may ignore the ward. To represent the Rune Ward, place this card on the warded League. Once someone passes the Trial, remove this card and the Ward from play. (THW)
As the card text indicates, Runes can be used for a much wider range of things, but are here limited to Terrain Trials. From the Players Guide (page 172): “Rune unleashes the abstract mystical power behind the symbols known as runes. You inscribe a symbol on the object you wish to enchant, in addition to the chosen Bunk. This cantrip is an enhancement to other cantrips or actions. For example: Roderic the troll wishes to use Rune to enhance the successes of attacking with his battle-axe. He inscribes the appropriate rune on the axe, acts out the Bunk, and gains three successes from the cantrip. Roderic now has three additional successes on his axe-swing.” If you limit the Art of Naming to those who have mastered other Arts (as mentioned above), you could allow for a greater use of this Art: Characters could inscribe a Rune on their weapon or armour and increase its efficacy by the number of successes rolled.
Exhaust this Art to inscribe a Runic Circle. This Circle can cancel the effect of any 1 Art another character is attempting to use. You must succeed in a Resolve Test against the other character for this Art to be successful. The targeted Art is cancelled and has no effect. This Art must be exhausted regardless of the result of the Test. (TWH)
The Players Guide explains (page 173): “This cantrip inscribes a protective circle around the target or on a charm that can be carried. The circle acts as an invisible buffer that protects against supernatural forces.”
You can learn the true name of any 1 character, Ally or Waylay. This gives you power over your target. You may exhaust this Art to retest any Test against that character, Ally or Waylay. – You may exhaust this Art to change a character from Seelie to Unseelie or vice versa for the duration of the game. The character will return to normal later. (TWH)
From the Players Guide (page 173): “Use of this cantrip allows the namer to find the True Name of the target. This cantrip is most often used in the Saining ritual of a newly awakened kith, but it has other, more nefarious uses. All things have a True Name, even a television or a car. Changelings who possess this ability can learn the True Name of anything the use this cantrip upon, thus giving them some control over the object or person, especially if they possess the highest level of this Art, Reweaving.” This Art is quite a bit more powerful in Arcadia than its cantrip counterpart in Changeling, and I suggest some change to the card’s text, discussed below under Reweaving.
Saining and Reweaving should be used very sparingly, and a Character should only be allowed to learn this Art after they have learned a lesser Naming Art (which they can only learn after mastering two other Arts, if you follow the above suggestion).
Discard to cause another character to change up to 4 points of their Merits to new Merits of your choice. You must replace the changed Merits with Merits of equal point value. A character may only have this Art used on them once a game. (KIM)
This is the most powerful of all the Arts. From the Players Guide (page 173): “By switching key runes in a target’s True Name, the namer can fundamentally (and permanently) change the basic nature of the target. Seelie could become Unseelie, Legacies could be changed, etc. Note that the user of this cantrip cannot make a target do something impossible (i.e., a sluagh could be made into an elegant courtier, but still unable to speak above a whisper). The True Name of the target must be known before casting this cantrip.”
Based on this, I suggest the following changes be made: to cast this, you need to first cast Saining, to find out its true name (ignore the text on Saining, but exhaust Saining). The success of Reweaving depends on how many successes you roll (based on the rules of the Players Guide):
Sovereign is an Art closely associated with nobility, even if nobility do not use it all that often. The Art of Sovereign is used to force people of lower social standing to do their will, and is therefore particularly unpopular with commoners. From the Changeling handbook (page 183): “In ancient times, the sidhe used Sovereign to regularly enforce their noble dictates upon commoner kith. A few highly conservative (and unpopular) nobles still adhere to this custom. The Art of Sovereign forces commoners and nobles of equal or lesser rank to obey the caster’s dictates. Thus, a knight could not use Sovereign on a baron. This Art is the most widespread grievance that commoner fae have against the sidhe nobility. As such, wise nobles use this Art sparingly, lest they risk a revolt among their subjects. Traditionally, this Art was jealously guarded by the nobility, but in recent times this Art has surfaced in some commoners’ use.”
Since Sovereign is so closely linked to nobility and social rank, it would make sense to limit it to noble Characters in Arcadia. It is particularly associated with House Fionna. For more on the nobility in Arcadia see this post of mine.
There are five Sovereign Arts in Arcadia: Protocol, Dictum, Grandeur, Weaver Ward, and Geasa. These correspond exactly to the 5 Sovereign cantrips in Changeling, except that Geasa has been made a 6-point Art (from a 5-point cantrip).
Exhaust to force any noble to miss their next Day. – Exhaust to force any nonnoble to exhaust 1 Savvy Ability. (TWH)
Protocal basically enforces protocol. From the Changeling book (page 184): “This cantrip allows nobles to conduct business and hold court functions without being perpetually interrupted by noisy childlings or commoners. Protocol ensures that everyone affected behaves as noble etiquette requires, although a roll is required to determine if the target(s) can fathom the dictates of the proceedings (see the sidebar). When this cantrip is cast, no one may speak out of turn, and sudden combat and tomfoolery are out of the question. Duels between persons of equal rank to settle disputes are acceptable, if the reigning noble permits it.” So, if the target is a noble, she will be forced to join the courtly rituals. If she is a commoner, she will loose her Savvy because she won’t be able to join.
Exhaust and enter into a Resolve Test against a non-noble character in your League or in any adjacent one. If you’re victorious you may make him move in the direction of your choice for 2 Days. (TWH)
Dictum is used to force commoners to do the biddings of nobility. The Changeling book explains (page 184): “This cantrip enforces the power of authority and command over commoners and underlings. The target is simply unable to disobey the requests of the caster, although the target is aware when Dictum is used upon him (even if he is unfamiliar with the Arts). A target under the sway of Dictum attempts to carry out the caster’s requests to the spirit and the letter, unless the request would somehow place him in immediate danger. A target couldn’t be told to attack a werewolf, but he could be asked to guard the door against werewolves, as the command does not place the target in immediate harm. This cantrip, more than any other Sovereign cantrip, is the major point of contention between commoners and nobles. Commoner kith seem to take less of an affront to a user of Grandeur (see below) than a user of Dictum. After all, most Kithain already respect and feel a certain sense of awe for the nobility, but they do not appreciate being forced to bow and scrape before every noble whim.”
For the next 2 Days, you may exhaust a Savvy Ability to make the results of any Tests you undergo a Stalemate. This exhausts Grandeur. (TWH)
This one too is rather straightforward. From the Changeling book (page 184): “Grandeur impresses upon others that element of the majesty of Arcadia that every noble and sidhe carries. It is the component of noble poise and refinement that later mortal rulers attempted (but ultimately failed) with their divine pageants and coronations. Anyone who views a caster of Grandeur is overcome with awe; he can take no action (violent or otherwise) in the presence of the noble (even if that noble attacks the target). Holding court is not possible for a caster of Grandeur, as most of the attendees would be unable to speak.”
Discard to force another character into a Resolve Trial difficulty 7 when attempting to recover a Quest Treasure. As his encounter each day, that character may test again to try to defeat the Ward. Weaver Ward remains on the Treasure until defeated. (KIM)
Weaver Ward is used to create a barrier that prevents someone from entering into a certain place or obtaining a certain object. The Changeling book explains (page 185): “Use of this cantrip prevents a door or entranceway from being passed by certain persons or inanimate objects. Alternately, a caster can use Weaver Ward to insure that no one picks up or uses an object (if the cantrip is used in this manner, the caster must also possess the Realm that represents the object).” You could decide that a caster of this Art may attempt to prevent a Character to enter a particular League from a specific direction unless they pass a Resolve Trial difficulty 7, if he rolls only successes.
Exhaust to enter a Resolve Test against another character. If successful, choose a League on the map that the targeted character must travel to before he may resume his Quest. As his encounter each day, the target may make a Resolve Trial difficulty 7 to dispel the effects of this Art and resume his Quest. (KIM)
For more on Geasa, see this post of mine.
The Changeling book (page 186-187) states: “Wayfare is the Art of efficient travel. Originally developed by scouts and messengers, this Art has also found use in noble circles as a means to spy, because the powers at higher levels allow one to move into seemingly impossible places. For this reason, the overt use of Wayfare at higher levels is carefully watched by some nobles (and outlawed by others). At the lower end, the Art is considered more of a useful tool than a dangerous weapon. In general, commoners, noble retainers and eshu are the most likely to possess Wayfare.”
There are six Wayfare Arts in Arcadia: Hopscotch, Quicksilver, Portal Passage, Wind Runner, Flicker Flash, and Shooting Star. Shooting Star is unique to Arcadia.
Exhaust to skip any 1 League. You will encounter the second League. (TWH)
With Hopscotch your Character can make enormous leaps. In Changeling the cantrip can be cast on others too, including inanimate objects, so you could modify the card’s text to also allow others (Characters or Waylays) to leap into another League.
Exhaust to move 3 Leagues. If you encounter any Waylays along the way your movement stops. (TWH)
Quicksilver allows you to move immensely fast, but only for a brief moment. In Changeling this is not limited to travel, but any type of physical action, so you could modify this card to allow you to take any additional action, as an alternative to moving 3 Leagues. If you use the variant rule for Arts mentioned in the first post in this series, you could decide that the number of Leagues a Character may move depends on the number of successes rolled.
Exhaust to instantly move from 1 League to another. The two Leagues in question must have at least 1 identical Terrain feature (Forest to Forest, Ruins to Ruins, etc.) and cannot be farther than 4 Leagues apart. Exhaust to automatically pass any Terrain Trial. This must be done before you roll. (TWH)
In Changeling this cantrip allows you to create a passage way through any wall or hedge or other barrier of a reasonable thickness. As you can see, in Arcadia, this cantrip is a lot more powerful: it creates a portal to any place similar to the one you are currently in.
Exhaust to fly 4 Leagues. You only encounter Terrain Trials or Waylays on the League you finally enter. After moving 4 Leagues you must pass a Resolve Trial difficulty 7 or become winded and spend your next available Day Resting. If you Fail this Trial, you will encounter any Waylays on that League before you may Rest. (KIM)
Wind Runner gives you the ability to fly. If you use the variant rule for Arts mentioned in the first post in this series, you could decide that the number of Leagues a Character may move depends on the number of successes rolled. (This is only a 4-point cantrip in Changeling.)
Discard and make a Resolve Trial difficulty 7 to move instantly to any League you have previously visited during this game. If you fail, your Opponent may move you to a League of his/her choice. Ignore Enter and Leave Trials when using this Art. (KIM)
From the Changeling book (page 188): “This is the cantrip feared by the nobility for its ability to allow anyone to get anywhere. With Flicker Flash, the changeling can disappear and reappear anywhere in creation that she desires”. You can only use this to travel to Leagues you have previously visited, because “The caster must know, see (or scrye) or possess a part of both her target and the destination. If she cannot fulfill this limitation, there is a chance the cantrip will go awry (the Storyteller should have as much fun as she likes thinking up a really creative place to send the character!).” You could therefore allow this Art to be used to travel to an unvisited League, but if the Character casting this has less than all successes (when using the variant mentioned in the first post in this series), the opponent may choose where to place the Character—including Leagues that are added to the board for just this purpose!
(This is only a 5-point cantrip in Changeling.)
Exhaust this art and roll a die. Move as follows: Odd: move left, Even: move right, the following number of Leagues: 1-2 = 2 Leagues, 3-4 = 3 Leagues, 5-6 = 4 Leagues. Ignore the Enter requirement for the new League and any Waylays in the old League. If this would put you off the map, then your character stays in place and the Merit remains exhausted. (KIM)
Shooting Star has no cantrip counterpart in Changeling. I have listed it here as a 6 point Art, as it says on the main side of the card, but the “Exhausted” side of the card says it is a 3 point Art.
The power of the Art of Primal is derived from inanimate nature. From Changeling (page 178): “Much of the power of changelings arises from the elemental affinity between their faerie souls and the forces of nature. In ancient times, the spirits of rocks and trees whispered their secrets to the fae who lived in the forests and groves. The ability to hear the forests’ whispers was lost by most changelings during the Shattering, remembered only by the Inanimae. One of the first things the Inanimae taught the changelings after the Shattering was how to whisper back. The Inanimae are mostly asleep now, and the Art they taught—Primal—is rumored to be only a fraction of the wisdom the nature spirits could have imparted. As a sign of gratitude to these beings, the cantrips of Primal are named after the spirits who helped the fae relearn these connections.
Kithain often stereotype other changelings who specialize in Primal cantrips as “salt of the earth” types: simple, stolid and honest. This oversimplification often makes them the butt of pooka jokemeisters (“Hey, troll! Did you hear the one about the Willow-Whispering farmer’s daughter who….”).”
There are six Primal Arts in Arcadia: Willow-Whisper, Heather-Balm, Oakenshield, Holly Strike, Elder Form, and Renewed Vigor. These do not neatly correspond to the 5 Primal cantrips that are found in Changeling. Changeling has one cantrip that is not found in Arcadia (Eldritch Prime, a 2-point cantrip that makes one of the natural elements appear in their purest form), and 1 of its cantrips corresponds to 2 Arts in Arcadia (Heather-Balm & Holly Strike). There is no 5-point Primal Art in Arcadia.
Exhaust to look at any 1 adjacent League. You may also inspect any Treasure hidden there. (TWH)
Willow Whisper allows you to talk to inanimate objects, as long as it is done in whispers, which is why you can use this Art to find out the nature of a League—you can talk to its rocks and trees—or a Treasure.
Exhaust to recover any 2 Abilities or Allies. – Exhaust to return 1 Waylay of Rating 3 or less which your opponent has defeated to your hand instead of the discard pile. (TWH)
Heather-Balm and Holly Strike are the same 4-point cantrip in Changeling, like 2 uses of the same power. One heals, the other harms. From the Changeling book (page 179-180): “This cantrip has two uses: it can either mend that which is broken, or it can break something by expanding upon tiny imperfections in the object.” Heather-Balm is the healing application of this, which is why you can use it to either heal yourself or a defeated Waylay.
Exhaust to change any Defeat to a Stalemate. (TWH)
From Changeling (page 179): “This cantrip imbues an object or person with the solid, protective essence of oak bark. Targets of Oakenshield can resist a tremendous amount of chimerical punishment.” Casting this gives you extra Health in Changeling, and it really only makes sense to use this Art only in Might or Combat Tests or Trials (since having the protective qualities of oak bark won’t help you much when you have to talk your way out of a situation!). I suggest the text of the card be rewritten as “Exhaust to change any Combat or Might Defeat to a Stalemate.”
Exhaust to add 3 points to your Might for 1 Combat or Might Test or Trial. (KIM)
As mentioned above, this is the flip side of Heather-Balm in Changeling: “For Holly Strike, one Health Level of damage is caused for each success earned. When this Art is used on people, weird, jagged lacerations appear on random parts of the body.” (page 180) This seems replicated in Arcadia by giving you extra strength, though this is not a very neat match.
Discard to assume the form of a Dragon for a number of Days determined by a die roll. 1-3: 1 Day, 4-5: 2 Days, 6: 3 Days. The Dragon’s attributes are Might 7 and Combat 8; Resolve and Savvy remain the same. (KIM)
Elder Form is a 5-point cantrip in Changeling, but made a 6-point Art in Arcadia, and that makes sense. This is a powerful Art! From Changeling (page 180): “This cantrip allows the caster or another target to take on the shape of something else. The new form possesses all of the Attributes and disadvantages of the new form. If the changeling turns himself into a tree, he may be taller and tougher, but he won’t be able to talk […]. If he turns himself into a stone, well, he’d better hope he’s in a scenic spot, because he’ll be seeing a lot of it in the next several centuries. While it is possible for the changeling to transform himself into the form of a mythical beast, he does not gain any magical powers from this change. A character altered by Elder-Form only gains any natural abilities that form may have, not supernatural
powers. For example, a changeling who transformed himself to appear as a vampire would have pale skin and maybe even fangs, bnthe would gain none of the special vampiric powers (such as regeneration), nor would he be susceptible to a vampire’s weaknesses (such as sunlight). The
same would be true if a changeling transformed himself into a dragon; he would have scales and claws, but he could not breathe fire.”
Discard to recover all exhausted Merits. You may only use this Art once per Quest. (KIM)
This very powerful Primal Art has no cantrip counterpart in Changeling.
Divination and prediction is what Soothsay is all about. This Art deals with Dán, the fae concept of Fate. The Changeling book explains (page 180): “Dán is like an immense, complex, shifting tapestry, too complicated for most to fathom. All beings, whether mortal, fae or Prodigal, have the threads of their fates caught up within this tapestry. […] This Art is for thinkers and contemplative Kithain. As such, changelings who specialize in Soothsay can often be found as seers and advisors to nobles. Most Kithain have widely differing views of those fae skilled in the Art of Soothsay. Nobles find them useful for court intrigue, and commoners are wary of their knowledge. In general, they are accorded much respect.”
There are 5 Soothsay Arts in Arcadia: Fair Fortune, Boil & Bubble, Tattletale, Augury, and Fate Fire. As detailed below, these correspond to those found in Changeling, though several are renamed.
Exhaust to add 1 to a Character or Creature Waylay’s score in any 1 Test. This must be done just before the Test. (TWH)
This and the following Art (Boil & Bubble) don’t appear in Changeling, at least not under that name. But they both correspond to the 2-point cantrip Fair is Foul and Foul is Fair. This is described as follows (page 181): “With this cantrip, the caster can more actively affect the target’s Dán. She can curse the target with misfortune, or she can throw a ray of good fortune into a target’s path. In either case, the change is not usually major; the target’s situation usually only affects elements not already decided one way or another. Powerful enemies will not suddenly die, but with a bit of good luck, the target may find a piece of information that changes her enemy’s mind about her, or (with bad luck) the target’s closest ally suddenly decides she is not trustworthy and joins the enemy camp. Whatever happens, the change is usually unexpected.”
Fair Fortune is then the good side of this: you give good fortune to a Character or a Waylay. Boil & Bubble, as the name suggests, is the bad side of this: the target gets some misfortune.
Exhaust to force another character to immediately retest a Victory. (TWH)
See the comment above. Just a brief note on the name: the corresponding cantrip in Changeling is, as mentioned, Fair is Foul and Foul is Fair. This is a clear reference to Macbeth: “Fair is foul, and foul is fair: / Hover through the fog and filthy air.” (Act 1, Scene 1). The name of this Art is derived from the same play: in Act 4 the witches say:
For a charm of powerful trouble,
Like a hell-broth boil and bubble.
[All:] Double, double, toil and trouble;
Fire burn and cauldron bubble.
Exhaust to look at any 4 Leagues in play. You may also inspect any Treasures located in those Leagues. (TWH)
From the Changeling book (page 182): “This cantrip provides a way to scrye through an object that is familiar to the caster. With Tattletale, the changeling can see anything that is within the immediate vicinity of the object.” Though in Changeling it is mostly used to observe relatively small areas, it is said that “there is no limit to the casting’s range”, so 4 Leagues are not exceptional.
This Art can quite easily be used with the dice-roll variant mentioned in the first post in this series. You could decide that if only less than half of your dice are successes, you can look at only 2 Leagues; if half or more, you can look at 4 Leagues.
Exhaust to look at 3 Waylays in your Opponent’s hand. Your opponent must now play these 3 Waylays before he/she may play any others. (KIM)
Augury gives a glimpse of a person’s Dán. From the Changeling book (page 182): “No one knows whether the caster of Augury engineers the future event, or the caster’s own Dan is at work as a moment in the future unravels backward in time, planting a kernel in the Augury of the intrepid caster. It is for this reason that Soothsayers treat Augury with kid gloves.”
Exhaust to increase the score or difficulty of another character’s next Test or Trial by 3. – Exhaust to decrease the score or difficulty of your next Test or Trial by 3. (KIM)
This Art simplifies the cantrip of the same name enormously. This cantrip is a more powerful version of Augury, and is described as follows (page 13): “Many people have little contact with their Dán; this is why the concept is so elusive. The day of reckoning does not usually arrive for a while. Casters of Fate Fire can speed up the process and bring a person’s fate to manifest sooner for good or ill, depending upon the balance. The caster has no control over the outcome.”
This is probably not what you would have thought when reading the Art card, but once you know the background, you can see it is essentially the same Art/cantrip.
You come upon a Sidhe noble and his retinue. Pay your proper respects or lose face. Discard this Waylay when it’s defeated. If you are a noble you gain +1 Savvy for this Test.
Arcadia’s society is very hierarchical, and feudal. There are two types of people: commoners and nobles, “the shining hosts”, who rule over them. The nobles themselves have a hierarchy, with the king and queen at the top, and then, in descending hierarchical order below them the dukes/duchesses, counts/countesses, barons/baronesses, knights, and squires (who are, technically, not nobles, but serve knights, who are, and are basically in training to become knights).
Nobles are also organised in Houses. There are 13 main noble Houses, who are generally ruled by Sidhe, but other kith can be part of those Houses too. Six of these Houses are Seelie (House Beaumayn, House Dougal, House Eiluned, House Fiona, House Gwydion, and House Liam), six are Unseelie (House Aesin, House Ailil, House Balor, House Daireann, House Leanhaun, and House Varich), and the thirteenth House does not side with either Court (House Scathach). For reasons that are unclear, five Houses were banished from Arcadia during the Resurgence: House Beaumayn (Seelie), House Aesin, House Daireann, House Varich (all Unseelie), and the indifferent House Scathach. The only Houses that are mentioned by name on Arcadia cards are House Liam and House Fiona (both Seelie Houses). The other six that remained in Arcadia are never mentioned (but maybe some of them would have been included in The Lion’s Den, the third set that was never released?). If you are interested in learning a whole lot more about these Houses (in changeling society), look at these books: Noblesse Oblige: The Book of Houses, Pour L’Amour et Liberte: The Book of Houses 2, The Book of Lost Houses: The Second Coming, and Nobles: The Shining Host.
In the World of Darkness, the fae uphold the Escheat, a code of law that was created shortly after this world was cut off from the Dreaming, during the Sundering. The Escheat tried to uphold the traditions of Arcadia and also to ensure the survival of the fae in the banal World of Darkness. The Escheat stipulates six rights. The first of this is the Right of Demesne, which the Changeling rule book defines as follows:
A lord is the king of his domain. He is the judge and jury over all crimes, large and small. His word is law. A noble expects obedience from his vassals and respect from all others. In return, a noble respects those lords superior to him.
Though commoners are often critical of nobles and the noble houses, most fae don’t have a problem with the hierarchical structure of fae society in general. The courts are generally known to be fair, and nobles are aware of their duties towards society as a whole. This is from Nobles: The Shining Host (page 33):
Being a king isn’t all perks and reserved hitching posts. Implicit in the Right of Demesne is the nobility’s responsibilities to its subjects. There are few nobles (commoner or sidhe, Seelie or Unseelie) who do not take their responsibilities seriously. A noble who does not care for her subjects risks a nasty rebellion, but there is more to it than this. From the time that they are childlings, nobles are instructed that it is their sacred duty to protect their subjects and to treat them justly. The nobility of the Kithain have a far better record in this department than most human (or Prodigal) leaders. Many nobles even have a romanticized view of “the common changeling” and have been known to disguise themselves to go among them. (It is considered poor form for a commoner to recognize his liege when she is so disguised.)
Despite the nobility’s good intentions, noblesse oblige is a proprietary instinct. Many commoners rightly resent the nobility’s paternalistic and patronizing ways. In general, the nobility looks at commoners as beloved, but unruly and somewhat backward, children. It is not that the nobility underestimates the commoners (there are many scholarly treatises on “low commoner cunning”), but few consider them equals. Sidhe nobles extend this judgment to the commoner nobles.
Things do go wrong, of course, and Arcadia tells that story. There are plenty of nobles who act inappropriately: in The Wyld Hunt we have Duke Bane and his son Sir Wrathgar, as well as Lord Gamine’s regent, Bernard Assjack; in King Ironheart’s Madness we have King Ironheart himself. Each of them is hungry for power, and corrupted by that hunger.
So, when you encounter a noble, you are expected to show them the proper respect. If you know how to behave yourself in their company, you’ll manage to get out of the encounter unscathed, but it is probably unlikely that you made a good impression on them if you were a commoner, since you are likely just an uncultured commoner in their eyes. If you are noble, you are more familiar with the ways of the court, and so you are at an advantage. There are a few ways in which your Character can be of nobility in Arcadia. If you are a sidhe, you are automatically noble. As that Character card states:
You are a member of the nobility. This privilege can never be revoked. It is our way to rule, for none are as fit for leadership as we. To look upon our kind is to see wonder and perfection. Our love is limitless, yet so is our hatred when it is earned. Look to us if you wish to understand life, for we are life.
It isn’t difficult to see why commoners often think nobles—and especially sidhe—are stuck up! I like how that mood is captured in the artwork of Mark Jackson on this card. Other kith can also be noble, if they belong to one of the noble houses. In The Wyld Hunt there are two Advantage cards that do this: Fealty to House Fionna and Fealty to House Liam. The Treasure Fancy Pants (a card I love!) allows you to be a noble for a day. (Noble Characters are entirely absent from the King Ironheart’s Madness set, for some reason.)
This is the first in a series of post on the Arts in Arcadia. Each post will deal with two Arts. Read this post for context and the variant rules that are referred to below. The asterisks after each Art indicate its cost/difficulty in Arcadia.
Chicanery is the Art of deception. This Art changes the perception of the person on whom a cantrip of this type is cast. It illusions them and can manipulate them emotionally. It is a common Art, found mostly among commoners, and generally rare among nobles, especially Sidhe, who look down on it as a rather vulgar Art, unbefitting nobility.
In Arcadia there are 6 Chicanery Arts: Fuddle, Veiled Eyes, Fugue, Haunted Heart, Captive Heart, and Charm (the last one is not found in Changeling). The value of these cantrips are changed in Arcadia, however. Veiled Eyes is a 2-point cantrip in Changeling, but a 4-point Art in Arcadia; Fugue is a 3-point cantrip, but a 2-point Art; and Haunted Heart is a 4-point cantrip, but only a 3-point Art.
Exhaust this Art to choose the Merit your opponent will exhaust when he loses a Test. You must exhaust this Art immediately after the target character loses his Test. (TWH)
Here is how the Changeling book describes the cantrip with this name (page 172): “Fuddle allows the caster to alter a target’s perceptions. Proper use of this Art can be difficult, however, since it cannot create something from nothing—there must always be some basis for the deception the caster wishes to create. In a sense the caster is limited by the target’s perceptions. A target who is blind and deaf cannot be made to suddenly see and hear the ocean, for instance, but she might fooled into smelling the tang of the salty sea air. Fuddle relies upon already existing factors to deceive the senses, and cannot completely negate a sense or create a sensation.”
This is one of the cantrips that changed the most in Arcadia. Since Chicanery deals with deception, you could argue that the opponent who is affected by this Art is deceived in a particular way by the Waylay he encountered which therefore forces him to discard a very specific Merit.
Exhaust to make a character exhaust 2 Merits instead of 1 when he/she loses a Test. The player may choose which 2 Merits are exhausted. You must exhaust this Art immediately after the target character loses his/her Test. – Exhaust to make another character immediately exhaust 1 Merit of your choice. The Merit that is being forced into exhaustion generates no effect. (TWH)
From the Changeling handbook (page 173): “While Fuddle allows a changeling to alter a person’s perceptions, Fugue lies within the province of memory. With Fugue, the changeling may remove or steal whole chapters of a person’s life and beliefs, or home in on one salient detail, such as themoment the target bumped into him while walking down the street. Fugue can never add anything to an individual’s memory, and its effects are rarely permanent.”
For an alternative use of Fugue, see below under Phantom Shadow.
Exhaust to change a Waylay that another character is facing to a Waylay of a different type. For example, you may change a Might to a Savvy Waylay, or a Resolve to a Combat Waylay. This Art must be used before any Tests are made. (TWH)
From the Changeling handbook (page 173): “The caster of Haunted Heart can control and fan the emotions of her target. She can evoke any type of feeling she wants: fear, envy, love, gaiety, sadness, etc. This cantrip can cause a target to feel anything he is capable of feeling, even if he has never experienced the desired emotion before.”
Exhaust to avoid a Waylay for 2 Days. The Waylay remains on the League and must be encountered if the character [i.e. your character] stays on the League past the second Day. (TWH)
As the Changeling book (page 172) explains: “As its name implies, Veiled Eyes muddles a target’s senses into ignoring anything the caster desires. The cantrip does not turn an object invisible, but rather convinces the observer that the object is not really worth his notice. Veiled Eyes would not cause a store to vanish from plain sight, but it would convince passersby that the store sold nothing of interest to them, causing them to ignore it. People cloaked with Veiled Eyes are merely ignored.”
Therefore, in Arcadia this Art lets you avoid a Waylay for 2 Days. This is a perfect example of how the number of successes you roll can affect the way the Art is used in Arcadia. In Changeling “the obscurement lasts for one turn per success” (page 172), so if you could modify the way this Art works in Arcadia: if you roll only a single success, you can avoid the Waylay for a single day/turn, if you roll 3 successes, you can do so for 3 days.
Exhaust to enter a Resolve Test against another character. If successful you may force that character to either Rest without recovery, or move 1 League in the direction of your choice. (KIM)
Captive Heart is similar to Haunted Heart, but more powerful. “Whereas Haunted Heart controls the emotions, Captive Heart has greater magnitude. The target of Captive Heart becomes pliant to the caster’s commands; his personality can be completely changed with a few words. Use of this cantrip allows the changeling to change broad or narrow facets of a person’s behaviour.” (Changeling page 174)
If you use the dice-rolling rules mentioned in the first post in this series, you could add other actions (besides resting or moving). If you roll only successes, you could make your opponent leave a Treasure on her current League, or force them to take a particular Test in their next encounter, irrespective of what Waylay (or Character) they encounter—a Combat Test, for example, if you make them a more violent character.
Exhaust to redirect a creature Waylay towards another character. The Waylay moves 1 League per Day towards that character. If the Waylay re-encounters the caster of this Art, the caster must face it in a Resolve Test. If the Waylay wins this Test, it will attack the caster again. Waylays with no Resolve score are treated as Resolve 1 for this Test. (KIM)
This Art has no cantrip counterpart in Changeling.
Legerdemain (French for “light of hand”) is the Art of slight-of-hand and illusion, similar to the illusion tricks of stage magicians, but with an important difference. “Originally based on illusions and “stage magic,” Legerdemain transcends such parlor tricks, allowing a changeling to affect physical reality. Changelings who are the entertainers in Kithain society (jesters, clowns, pooka, etc.) generally specialize in this Art. While this is also considered a commoner Art, a user of Legerdemain is not as suspect as with Chicanery. […] While many of the effects of Legerdemain duplicate Chicanery, use of this Art differs in that it creates a substantial illusion that is visible to all changelings and enchanted beings rather than altering a single individual’s perception.” (Changeling page 175)
There are 5 Legerdemain Arts in Arcadia: Gimmix, Ensnare, Effigy, Mooch, and Phantom Shadows. (Gimmix and Ensare are flipped in the hierarchy, in Changeling). Unique to this Art is that many of the Legerdemain Arts affect Treasures, as well as Characters.
Exhaust to enter into a Resolve Test against another character’s Resolve. If you are victorious, your opponent is rooted firmly in place and may not move during his/her next Day. (TWH)
From the Changeling book (page 175): “This cantrip has two major uses: the changeling can cause
a large object to move about quickly, or she can entangle an opponent with any scenery at hand, such as roots, old tires, tripwires, etc. If the changeling is attempting to trip an individual, any vines, rope or other small objects suddenly move to trip and bind the intended target. If no such objects exist, the target believes that there are, tripping over his own feet and becoming bound by chimerical vines or rope.”
Exhaust to enter into a Resolve Test against another character’s Might. If you are victorious, you may move then 1 League in any legal direction, no Terrain Trials necessary. (TWH)
The cantrip Gimmix is basically a form of telekinesis, that lets you “move, twist, throw, lift, and crush things” (Changeling page 175). In Arcadia you can only use it to move another person, but you could let it move a Treasure an opponent has into a particular direction, or exhaust a Treasure, if you roll only successes (if you use dice rolls), since it requires a little more skill to move something smaller.
Exhaust to create a copy of any Treasure. The Effigy card can then be exchanged with an existing Treasure in another character’s possession. You must be in the same League and win a Savvy Test against the targeted character. The exchanged Effigy cannot be used again this game. If the targeted character ever defeats you in any Test, he/she may reclaim his/her original Treasure. (TWH)
This is how Effigy is expalined in Changeling (page 176): “This cantrip creates a duplicate of an object or person that the changeling can see and touch. The copy has all the features of the item that could be seen and felt. An Effigy of a book is tangible, and if the original were open when copied, the Effigy would be open to the same page and have the same writing on the page. The copying of the Effigy is only skin-deep, however, so none of the internal qualities of the original are transferable. The Effigy-book may be open to the same page as the original, but a person couldn’t close it or read other parts.”
The Arcadia version of the Art may seem stronger, but isn’t actually. It just adds another step to it. It too creates a non-functional copy, but you then exchange that with the real Treasure, fooling your opponent’s Character in thinking she still owns her Treasure. The card does not make this overly clear, but your opponent does lose their Treasure (hence the line “he/she may reclaim his/her original Treasure“). This is why you need to be in the same League as your opponent, and you need to win a Savvy Test, to see whether you can actually fool her into this.
Exhaust to recover one of your opponent’s Quest Treasures; this counts as your encounter for the Day. You must be on the same League as the Treasure to Mooch it. Your opponent may recover the Treasure by defeating you in a Test of his/her choice; both characters must be on the same League for this Test unless your opponent has a Merit or ability that allows him/her to encounter you from somewhere else. (KIM)
In Changeling (page 177) Mooch lets you move an object instantenously, and is a cantrip that is often used for pickpocketing: “The changeling can instantaneously move things from one place to another. A favorite of pickpockets, Mooch can remove a trinket from a mark’s pouch and replace it in the caster’s own. The cantrip only works if the caster can see the object, or he has seen it within the past minute.” The use of it in Arcadia is straightforward.
Exhaust to force another character to encounter a Combat Waylay with a Combat Rating of 5. If the character is defeated by the Waylay, the character may move on, but the Shadows follow him and he may not Rest until the Shadows are defeated. Phantom Shadows must be played when the opponent’s character first enters the League, instead of as an actual Waylay. (KIM)
This is a very powerful Art. The (long) description of this cantrip in Changeling (page 177-178) suggests an interesting variations on the use of this Art: “This cantrip is the true art of illusion creation. Whereas Effigy creates an unmoving copy, Phantom Shadows creates original illusions and engenders them with sentience. The created illusion can be of any subject the caster desires and is difficult to differentiate from the real thing […]. The Phantom Shadow intrinsically knows what its caster wants
and carries out her wishes; however, if the caster forgets (or is made to forget as with Fugue) the existence of the Phantom Shadow, the casting essentially becomes a free-willed, uncontrolled chimera and acts on its own whims.”
So, if the opponent who is affected by Phantom Shadow has the Chicanery Art Fugue (discussed above) and casts this on you, you could lose control over the Phantom Shadow (instead of exhausting any Merits). If your opponent then passes a Savvy Trial against the Phantom Shadow (who has a Savvy of 2), the Phantom Shadow will then affect any Character of your opponent’s choice.
Dark Yeoman commented that her comparative study of character creation in Changeling and Arcadia is “mostly academic” and will maybe “not have a great effect on the way you play Arcadia”.
Well, I disagree. 🙂 The reason I disagree with that statement has to do with the Arts. The best part of her excellent comparative study are the parallels she draws between the Arts of both worlds, and I think that deserves a separate post (or a series of posts, if I get around to it!), because I think it got buried in a lot of technical stuff that is indeed maybe more academic. (If you haven’t read Dark Yeoman’s post, please do. It is very much worth reading!)
In this and future posts I’ll talk more about the Arts, and give some variant rules on how to use them with greater flexibility in Arcadia. Those variant rules are mostly found at the end of this post.
As Dark Yeoman points out in the above mentioned post, the Arts in Arcadia match the Arts of Changeling, and perhaps more so than the simple use of the Changeling Arts icons on the Arcadia Arts cards indicates. To recap, each Art card in Arcadia displays an icon in the left border, which indicates what type of Art this is. In Changeling there are 9 main types of Arts, which use the following icons:
Arcadia has a few more, as Dark Yeoman notes in that post, but we will come back to those later. (Arcadia also doesn’t have Spirit Link Arts).
The Art cards in Arcadia are really cantrips or spells. The Arts are the different types of fae magic. Each cantrip is a spell that is of a specific type of magic or Art.
The way cantrips work in Changeling is complex. Too complex, really. To cast as cantrip there are 7 steps (and that is not even considering the 2-pages of “Advanced Cantrip Rules”)! I do not propose to follow this in Arcadia, but I do give some optional rules below that are very loosely based on/inspired by this.
When you create a character in Changeling, you don’t select the Arts you know willy nilly. They should match the rest of your Character’s characteristics. Here is a relevant section from the example given in the Changeling handbook (page 125) to explain the process of Character creation (Angie is the sample player; Emma her Character):
Angie thoroughly reads all the Arts and Realms descriptions before she begins to allocate points to them. Once done, she begins with Emma’s Arts, immediately putting two points in Primal due to her athleticism and Primal’s connection with the body and other things physical. The next choice comes less easily, but in the end, Angie decides to give Emma one point in Wayfare, another Art that somehow seems related to physical movement.
So choose your Arts carefully. Choose those that match the rest of your Character’s Abilities, and specialise in one Art, before selecting others (see the variant rules below). Often Arts are also associated with particular types of persons, with commoners, with nobility, or even with specific kith. I encourage you to pay attention to these guidelines as well (and will mention them in subsequent posts).
In Changeling each Art has cantrips of varying difficulties, ranging from 1 to 5. As mentioned, the Arts in Arcadia often correspond closely to the cantrips of Changeling, and their difficulty is expressed in Arcadia by their cost, ranging from 1 to 6. The Arts with a difficult/cost of 1 to 3 are found in The Wyld Hunt, whereas the Arts with a difficult of 4 or higher are only found in King Ironheart’s Madness. In other words, there is a good reason the Merits in King Ironheart’s Madness cost more than those in The Wyld Hunt!
Arts are great, because they make Arcadia a more fun and challenging game. Without them you do little more than moving and facing Waylays each turn, but with Arts you can do more unpredictable things, and challenge your opponent directly, rather than through a Waylay.
For this reason, I’ve been thinking of and experimenting with ways to make Arts more prominent in Arcadia. We now have two basic variant rules when it comes to Arts:
These two rules are obviously meant to encourage players to use Arts, but also encourage them to take more powerful Arts. A 6 point Art doesn’t let you choose a lot of other Merits, and so you might not be quick to take it. but if that 6 point Art comes with another (free) 2 or 3 point Art, this becomes a more compelling choice. With the increased number of Arts, cards like Favored by Ali’i become a lot more useful (and are particularly recommended for Kokua.
Obviously, this also means that we do mix Merits from The Wyld Hunt with those from King Ironheart’s Madness. Dark Yeoman thinks this doesn’t go so well, but my experience/experimentation tells me otherwise. (To clarify: since we don’t live in the same country now, we very rarely play with each other, and all the rules she posts are those that she has been using with the people she plays with. When she talks of “we”/”ours” that generally does not include me and the people I’ve recently been playing with).
The way we mix Merits from both sets is as follows:
These two rules ensure that your Character cannot get too powerful. The Merits from both sets also complement each other nicely. Abilities from The Wyld Hunt, for example, always need to be exhausted to take effect, and generally only give you 1 extra point, whereas those from King Ironheart’s Madness give you a fixed increase in Might/Savvy/Resolve/Combat and don’t require to be exhausted (but do not take effect when exhausted).
We’ve also been experimenting with one rule that makes Arts dependent on dice rolls:
We’ve only played a few games so far with these dice rolls, and we like them, but will have to test this a bit more. The reason we like them is that they both make it a little more difficult to use Arts (which offset the advantage of having extra (lesser) Arts), but also forces you to have a bit more strategy, because the more Arts you use the fewer dice you will be able to roll (so you may want to wait casting that lesser Art, if you soon want to cast that greater one).
All this (and especially the degrees of successes) may seem to make what was very simple hopelessly complicated, but it isn’t that difficult, really, once you take into consideration what the Art really does, aside from the “technical” aspect of moving a League or having to undergo a Might Trial, etc. Once you understand why your opponent has to undergo a Might Trial, it isn’t so difficult to remember what you could do to him when you roll only successes. But all this will probably (hopefully!) make more sense once I begin talking about each individual Art, in future posts.
Exhaust to enter a Resolve Test against another character. If successful, choose a League on the map that the targeted character must travel to before he may resume his Quest. As his encounter each day, the target may make a Resolve Trial difficulty 7 to dispel the effects of this Art and resume his Quest.
Geasa is the plural of Geas (or geis, pronounced gesh), which Wikipedia defines as “an idiosyncratic taboo, whether of obligation or prohibition, similar to being under a vow or spell.” Like many of the Arts in Arcadia, this one corresponds to a cantrip or spell found in Changeling. This is a cantrip of the Art of Sovereign, as the icon on the above card indicates (see more on this in this post of darkyeoman).
With the Art of Sovereign one can control other people. Other Arts in Arcadia of this type are Protocol (in The Wyld Hunt), which forces any other person to follow nobles’ etiquette; Dictum (also in The Wyld Hunt), which forces a commoner to obey the commands of the noble caster; and Weaver Ward (in King Ironheart’s Madness), which prevents someone from entering a particular place or (as it is used in Arcadia) from acquiring a certain object. As several of these examples illustrate, the Art of Sovereign was long a well-guarded power of the nobility, who used it to control commoners, though some commoners have learned something of this Art too, to the dismay of the noble houses. (Keeping this in mind, you could decide that only noble Characters should be allowed to use Sovereign Arts in Arcadia, or come up with good story how a commoner might have learned this Art).
The Changeling rule book (page 185-186) describes Geasa, a cantrip of the Art of Sovereign, as follows:
When this cantrip is used, the power of Glamour is employed to direct a person upon a task or quest. This quest must be fulfilled to the letter, or the target suffers some kind of curse (designated at the time of casting). The target need not know what lies in store for him if he fails to complete the Geas, but the anxiety of knowing can be worse than the punishment.
The other use of this cantrip, called Ban, forbids a target from doing something or engaging in a specified activity. The most common use of this cantrip is the exile-Ban, which forces the target to leave a specified area and never return (or suffer the effect of the curse). A Ban can also be a forswearing of a certain activity, such as smoking, killing another changeling, etc. Certain forsworn quests and oaths are Geasa of a sort, and need no caster to initiate (the oathtaker’s will and desire are initiating the cantrip). […]
A Geas can be long-term (“Fight injustice whenever you face it.”) or short-term (“No one may move until I finish singing my ballad.”). The extent and power of the Geas (and the curse) are only limited by the number of successes at the time of casting.
Keeping this last point in mind, if you use 10-side dice for Tests and Trials, you can decide that the power of the geas depends on the success of the Resolve Test against your opponent: for every success above your opponent’s, you add 1 to Resolve Trial he needs to make to be released from it.
There is another type of Geas in Arcadia. As mentioned in this quote, oaths are “Geasa of a sort”. One of the oaths discussed in Changeling is “The Oath of the Accepted Burden”. This is how it is described (on page 211):
Lay down your burden, that I might take it up. The road is long, and I swear I shall bear it for you, until all roads end. I shall [the actual task is named here], else may the road cease to lay beneath my feet.
Superficially similar to a geas, this oath is a promise to perform a certain deed. The nature of the deed itself is irrelevant; it could be anything from a kiss to retrieving the still-beating heart of an enemy. This oath is always made to another, and is made to verify that a task that he desires will be performed. When these words are spoken, a Willpower point is gained by both the oathmaker and the one to whom the promise is made. If the oath is not kept, each loses two Willpower points.
Sounds familiar? Here is Pilgrim’s Burden, a Waylay from The Wyld Hunt:
Have you ever wondered why you would even think of continuing to lug that burden onwards when it becomes inconvenient? Why can’t you just leave it behind? It is because when you fail the Savvy Test, you have taken the Oath of the Accepted Burden, and now are forced to complete the pilgrim on behalf of the person you encountered. Oaths are not taken lightly, as we have seen, and you lose Glamour when you break one. But since this oath is a bit like a geas, it is not easy to break to begin with.
Egads! A local Redcap has accused his wife of cuckolding with you. The poor Redcap is just eaten up inside with jealousy. He’s also eaten his wife up to feed his insides, and he and his Redcap pals intend to make you dessert. Discard this Waylay when it’s defeated.
Redcaps are the most vicious of the fae. If most of the fae arise from the collective dreams of mortals, redcaps spring from their nightmares. They are vulgar, violent, and truly terrifying. Other fae fear them as much as humans do. Their name derives from their headwear, a woollen cap dyed in the blood of one of their victims. It should come as no surprise that they are almost universally Unseelie.
This Waylay, however, particularly refers to one of their strangest characteristics. They are not just violent, but also voracious eaters. They eat pretty much anything in sight. In the Redcaps Kithbook (page 31), one of the weirdest and most entertaining kithbooks, a redcap puts it like this:
What do redcaps do, you ask. Well, duh. We eat. We eat a lot. We eat everything we can get our hands on, and a few things we catch in nets and snares as well. We’ll eat stuff that’s alive, stuff that used to be alive, stuff that never was alive and stuff that might conceivably be alive in the dim and distant future, but you don’t feel like hanging around to check the results.
Now, that is not to say that we just eat everything in front of us. We’re redcaps, not vacuum cleaners. You can’t just set us to “suck a lot” and hope we’ll clear up everything in our path. I mean, come on. How stupid do we look? Yes, we eat. Yes, we’re always hungry—not, “Gee, I could go for a Chipwich right now, but it might spoil my dinner,” hungry, but rather, “I haven’t eaten in three days and I’d cut my own leg off and fry it up if I didn’t know I’d be just as hungry in an hour” sort of thing. It’s nothing we like and nothing we can control. It’s just who and what we are, and it’s always with us. We’re always empty, always needing something to fill us up. Stuffing something down the old gullet dulls that pain, at least for a little while. It’s going to come back, the same way the sun’s always going to come up in the morning, but in the meantime you can get a little peace and think straight for a bit.
The next big question is “What do redcaps eat?” The answer is “everything”. However, that’s the sort of reply that results in more nosy questions being asked, so I’m going to save you the trouble and explain it a bit more.
If you want to be technical, we’re omnivores. We eat animal matter, vegetable matter, mineral matter and now that I think about it, gray matter, too. We’re not picky, though generally when we talk about feeding someone a shit sandwich, we’re being metaphorical. All things considered, we’d rather eat something that tastes good, but in a pinch damn near anything will do. You know that story about the bunch of kids whose plane crashed and who ended up eating each other? If it had been us, there wouldn’t have been a plane left, either.
The one question that everyone is curious about but is too chicken to ask is this: Do we eat other people? (More accurately, they want to know if we eat other Kithain—screw the mundaners, even the elfiest of the lot are more worried about their own skins.)
The answer is pretty simple. Think about it. Think about the legends, and the stories, and how we got our name. Think about your worst nightmares, and the answer you really, honestly, devoutly hope isn’t true.
That’s always the right answer in the end, isn’t it? The one you don’t want to hear.
Let’s move on.
(This is then followed by 3 pages of “Eating People: The Rules”…)
This is captured in the Redcap Character card from The Wyld Hunt (a card I don’t have, so no scan, I’m afraid!), which states:
What d’ya want? To talk to me? I got no time to talk to you, get outta my way! What? You really don’t know Redcaps, do ya? Okay, I’ll show you. Gimme your hand. Mmmm. Now outta my way or I’ll eat the other one too!
You may discard this card when you encounter a character or a creature Waylay. This causes the target to fall into a deep sleep and cannot move [be unable to move] or be encountered for 3 Days.
A Fianna Garou equipped with the Sands of Sleep only has to exhaust it to use it, instead of discarding it.
To explain why I like this card I’ll have to give a bit of background.
I love Werewolf: The Apocalypse. A little more, I think, than I like Changeling, but maybe that is only because I have played it more. In Werewolf you play (generally) a Garou, which is, well, a werewolf, but not one as you know it. Garou were created by Gaia, the Earth Goddess, to protect herself from evil (represented by the Wyrm). They fight the pollution, corruption, and spiritual decay that is caused by the Wyrm, whilst they also fighting themselves, because they are prone to violence themselves and, often to their own dismay, far from virtuous heroes. I’ll spare you the details, but I recommend you check it out, if you are not familiar with it. The world of the Garou is immensely rich and perhaps more consistently developed than that of Changeling. (A good introduction, as always, is the free Introductory Kit).
What I particularly like is that of all the World of Darkness games, Werewolf and Changeling are quite alike, in some ways. Both Garou and Fae fight, in their own ways, against the onslaught of some form of corruption that threatens not just this world, but also their spirit world—the Dreaming in Changeling, and the Umbra in Werewolf. But there are real connections between the two as well. Many Garou have ties to the noble houses of the Fae, and often work with them. This means it is not difficult to have a role playing campaign with both Garou and changelings, as I have participated in a few times. Good times!
There are different tribes of Garou, and of all these, the tribe of Fianna is particularly close to the fae. The Fianna tribe originated in the British Isles, and are said to descend from Danu, from whom also descended the Tuatha de Danaan, from whom all the fae are said to descend (though this is not entirely true; for more on this, see Immortal Eyes: Court of All Kings, page 25-26 and 30). Here is section from the Book of Lost Dreams (page 15) about the ties between the Fianna and Fae:
The greatest allies the Kithain have among the Garou are the Fianna. Bred primarily from Hibernian stock, the Fianna’s network of Kinfolk [their human relatives] is so intertwined with changeling blood that it has been know, though exceedingly rare, for Garou and Kithain (or at least kinain [human relatives of changelings with faerie blood]) children to be born of the same parents. The Fianna know more about fae society than any other Prodigals, with perhaps the exception of some mages. Fianna bards are often welcomed into fae freeholds, and Kithain are often in attendance at Fianna moots. This closeness of kin and attitudes have led some Kithain scholars to believe that the Fianna are the last Prodigals to leave the fold of fae to join the Garou.
It is thus no surprise that of all the Garou, it is a Fianna that is included in Arcadia. In The Wyld Hunt a Fianna (a Galliard, to be specific, who is a guardian of sacred lore) appears as a Waylay, and there is a Fianna Character in King Ironheart’s Madness. In the Changeling: The Dreaming handbook (page 284) we read that “werewolves can enter the spirit world and travel to strange spirit realms [i.e. the Umbra]. It’s rumored that some of their elders can even travel to Arcadia, although this has never been proven.” I suppose this is proven in Arcadia. The Character card for the Fianna in King Ironheart’s Madness states:
I found my way to Arcadia years ago and have lived among my fae friends enjoying the pleasures of the fur. Now the time has come to fight, and seek out my place in legend.
But now, back to Sands of Sleep! This is a good example of the cross-over between the game lines of the World of Darkness. Why do Fianna Garou only have exhaust this Treasure when they use it? Because Sands of Sleep is one of their “fetishes”. A fetish is an artefact that is imbued with the power of a spirit. When making a fetish, a Garou makes a pact with the spirit, and as long as the Garou does not violate that pact, the spirit remains in the artefact. Sands of Sleep is such a fetish. From the Werewolf Players Guide (page 125):
This fetish takes the form of a small bag made from a black material and filled with a fine powder that is absorbed when it comes into contact with liquids and solids. When activated, the bag must be swung open-end-first toward the target, striking him with the “sand”. […] To create this fetish, one of the following spirit types must be bound into the bag: Sleep, Dream, Calm or Night.
Since the Garou can create fetishes, like Sands of Sleep, this Treasure is not lost when used by a Fianna, but only exhausted. Any other kith may have acquired a little pouch of this, but once they use it, they have lost it.
They’re small, surly, and in rebellion against Boggan tradition. If you’re having a very unlucky day, they might even pose a threat. Discard this Waylay when it’s defeated.
The humour of this Waylay is entirely lost on those who don’t know what a boggan is. Boggans are hard-working, kind, and stocky fae, that are rather unlikely to engage in random violence. This is how they are described in the Introductory Kit (page 12):
Boggans derive their greatest pleasure from work. An honest job, good company and a regular routine are all that most boggans require. They’re known throughout Kithain society for their hard work and integrity. It is said that a boggan is as honest as the dirt on his hands.
This virtue includes a need to help others. Boggan homebodies are known for their hospitality, and few can refuse to help a traveler in need. Young boggans often take to the road to seek out those in need of help, even when this makes them seem like troublesome meddlers. Seelie boggans display altruism out of compassion and the goodness of their hearts. Unseelie boggans are drawn to the needy out of opportunistic desire. Regardless of Court, this kith’s philosophy of noble service glorifies helping others. Status among their kind is measured by the number of people they have “helped.” Beneficiaries who abuse boggan favors are cut off quickly.
There is another reason why boggans interact with others: They are notorious gossips. The secrets they just “happen to overhear” are considered just reward for their hard work. Seelie boggans insist that they gather this information out of simple curiosity. Unseelie tuck their information away to be produced on “special occasions.” Whether motivated by altruism or greed, boggans have managed to turn a vice into an art form.
Despite this weakness, boggans are deservedly proud of their reputation as hard workers. Some have been known to work themselves to death to do a job correctly. Questioning the quality of a boggan’s work is a sure way to send one into a rage. Though no one has actually seen an angry boggan stamp herself to death, some boggans are said to have done it.
It is in a boggan’s blood to do good and be honest, and the idea of a boggan youth becoming a “gang banger” is a bit incongruous, to say the least! (Notice the artwork, though: they wear red bandanas, in an attempt to be mistaken for redcaps, the most reviled and vicious of all fae—more about them in a later post). Hence the text on the card: “They’re small, surly, and in rebellion against Boggan tradition. If you’re having a very unlucky day, they might even pose a threat.” Still, their Combat score is 3, which is not nothing!
Oaths are not taken lightly in fae society. For a Seelie person, breaking an oath is one of the worst transgressions imaginable. As the Seelie Code states, “Never forget a debt: […] An oath of friendship should be answered with a corresponding oath. Never refuse to aid anyone to whom you are indebted.” But Unseelie do not take oaths likely either, and oaths are as common in the Unseelie Court as they are in the Seelie Court. The Changeling rulebook stresses the importance of oaths in fae culture (page 79):
Oaths are sacred vows that bind Kithain to one another in certain specified relationships or else obligate the swearer to undertake quests or journeys, fill certain roles, honor specified rights or refrain from certain actions. Some oaths bind one Kithain to another for eternity; others last for shorter periods of time. […] The whole of Kithain society helps to enforce oaths, but, more importantly, the weight of the Dreaming lends binding authority to these solemn vows.
The wording of oaths is very important, because it weaves Glamour into the bond that is formed by its speaking. Breaking an oath is not done lightly, for the consequences (usually specified at the time the oath is taken) assert themselves as soon as the oath is forsworn. In addition to any innate penalties, oathbreakers are shunned by Seelie and most Unseelie fae alike. A changeling’s sworn word is her greatest gift, and those fortunate enough to receive an oath-backed promise of loyalty or love consider themselves blessed by the Dreaming. Oaths define a changeling’s personal honor and respect. Spoken oaths are the foundation of noble society, and any who break an oath defy the values of their society and forego their right to remain a part of it.
Fae that have sworn oaths are bound together by an oathbond. Oaths can be taken between two individuals, but a group of individuals can also be bound by a common oath, forming an oathcircle. Oathcircles can be “informal”, but can also be sanctioned by a Court and thereby become official.
I find this Waylay, Oathfriend, a little strange. The text on the card doesn’t make any sense. It is a Savvy Waylay, and if you fail the Test, you lose a turn. In other words, if you can talk or charm your way out of it, you can ignore your this friend who is in need. You ignore a person with whom you have an oathbond and just get on with your life. This goes against the very idea of an oath of friendship! Why would you be penalised for upholding your oath?
So here is what I propose to do instead with this Waylay. If you encounter this Waylay, you have two choices: you help your friend, and you lose a turn, or you ignore your oathfriend, but then you have to exhaust up to 2 Arts, and you have get a -1 on all test and trials for the rest of the game (-2 if you are a Troll; see below).
This is a great card to bring storytelling into your Arcadia game, not just because this Waylay hints at a background story of your Character, but also because not all kith see oaths alike. For example, Boggans live to help others, but rarely swear oaths (I know that there is no Boggan Character card in Arcadia, but it is still interesting! :)). Sluagh may seem like the sort of kith that would not do so either, but they do help those that have helped them, and will invariably return kindness and respect. Trolls are dutiful and value honour (which is probably why the illustration on the card depicts a Troll). The Troll Character card in The Wyld Hunt states:
There is nothing so important to us as honor. The very strength of our bodies springs from the pure diamond hardness of our spirits, from our unbreakable loyalty, from our relentless resolve. Our very lives exist only to satisfy our oaths.
When a Troll breaks an oath, they lose their strength and become sick (hence the -2 penalty). Trolls also do not like oaths to be broken. This is the Changeling rulebook again (page 105): “This trust must extend both ways; if a troll’s trust is betrayed, he will be filled with anger, and must roll Willpower (difficulty 8) to avoid becoming violent.” So if this oathfriend of yours is a Troll, you could add more to this Waylay: you have to pass the Savvy Test (I suggest you raise this Waylay to a Savvy of at least 4) to pacify the friend you abandoned, or engage in a Combat Test with him (probably with a Combat value of at least 4).
Life was simple, and your world was small. You never wandered far from your home town. Apart from the occasional travelling merchant and the rare wanderer passing through, the only people you ever met were those born within a day’s walk from the house in which you were born, and the only ones that you actually knew were those that were born in your town, or those that married those who were born there.
But the pleasures, however genuine, of that small world, were not enough to keep you there, and one morning, the longing for the lands beyond the horizon that had grown within you since childhood flared up once again. You decided it was time to see more of the world. That day, you left the world you knew so well (the only world you ever knew!), its comforts, and securities, and faced the unknown. You remind yourself that this was but a few days ago, though your old life now seems as many years behind you as the miles you have travelled.
Somehow, you got caught in an adventure beyond your wildest childhood dreams. Who knows where it will bring you? During your travels, you will explore the new, wide world of Arcadia, and discover its many surprises, dangers, and wonders, as you roam from place to place, searching for new quests, more treasures, and perhaps a few trusted friends who are willing to share your journey.
This is a variant that can be used in combination with most other variants or with standard rules. These variant rules only change the way you play Leagues and move into new Leagues. Every other aspect of the game—the way your Character is created, the way you encounter Waylays, the way you win or lose the game, and so on—can be taken from any of the other existing variants.
In this variant, you build a map of Arcadia while you travel through its Leagues. You are roaming blindly, and have no idea what lies around the corner, or where Eidolon or the Ruins of Srissan really are, or how long you could follow this river before you reached the ocean. In this variant, you do not play Leagues during setup, as you would in the standard rules. Instead, you will build a deck of League cards that you can draw from before you move into a direction with no Leagues in play.
During setup, choose about 20 Leagues from either one of the sets of cards (either The Wyld Hunt, or King Ironheart’s Madness). (You could use more Leagues, if you like, but the more Leagues you use the longer the game will likely be.) Choose Leagues that can, reasonably, be played together—don’t have one pure marsh League when you have no other League that can border it—but make sure your selection contains some variety of Terrain types. One easy way to do this is to select a section of the map of either Ardenmore or Middlemarch, and use those Leagues.
Choose your Base Camp, and place it on the table. Shuffle the remaining Leagues you have selected into a League Deck. Place this League Deck within easy reach, with the map side up (the League info side down). If you can place the top League anywhere adjacent to your Base Camp, following the standard rules for playing Leagues, place that League. If not, place it at the bottom of the League Deck, and see if you can play the next one. Do this until your Base Camp has Leagues on every legal side (generally on all 4 sides, but less if your Base Camp is a border League). Once this is accomplished, reshuffle the League Deck, and place it within easy reach. You will draw from this deck every turn you move into a new League.
At the beginning of each turn, if you are planning to move into a new League that turn, you will draw League cards from the top of your deck and try place them adjacent to your current League. If you move to a League that is already in play, you do not draw new League cards. If you can not move to a new League (because you are engaged up by a Waylay, for example), you do not draw new League cards either.
Place the League cards in clockwise order: first North, then East, then South, then West. If the League at the top of the League Deck can be played in the first available position, place it there. If not, see if it can be played in the next available position, and so on. If it can not be played at all, move it to the bottom of the deck, and draw a new one. If you can play that in the first available position, play it, and draw a League for the second position. Otherwise see if you can play it on any of the other positions, in clockwise order. If not move it to the bottom of the Deck. You are only allowed to draw two cards for each position, so the next card you draw can not be placed in the first available position, but you have to start at the second (or the third, if you were able to play one of the first two cards you have drawn on the second position). Once each position has a League in place, or you have drawn up to 2 cards for each position. Note that you can’t draw two Leagues and choose which one you play—the first playable League has to be placed in the first available position, and can not be exchanged for another League drawn once it is played.
If you were not able to play any League this turn, you can’t move. Imagine that the weather has turned, and a storm is now coming, so you’ll have to stay in your current League for another day.
For a League to be playable, ordinary rules apply: only a single feature needs to match. Thus, a League with an edge that has both forest and river Terrain can border either a League with a forest Terrain, or one with a river Terrain, or one with both.The new League will also have to match the Terrain of other Leagues already in play that it will border. Keep in mind that no League can be placed next to a border Terrain, except an ocean League.
This probably sounds more complicated than it really is. Let me illustrate it with an example:
You moved into this League (Blackrock Pass, from The Wyld Hunt) from the East. There are no Leagues to the North, South, and West. You draw the top card from the League Deck. If this has a (long) border with a River or Mountains Terrain type (or both), you can place it to the North of Blackrock Pass. If not, you can try to match it with the Southern and Western side (in that order): for the South, it would need (long) border with Hills or a Road; for the West a (short) border with a Road or Mountains. Whether you were able to place the League you drew in the South or West or not, you draw the next League. If you can play that in the North, play it there, otherwise try South and West again (if you had not placed a League there earlier). If you could not place this second League in the North either, you’ll have to try to match the next League you draw in the South, or, if you can’t place it there, in the West. If you have drawn 2 Leagues for the South that could not be played there, and, in the unlikely event that there still is no League in the West, you can draw up to two more Leagues to try and place in the West (but nowhere else).
Here is another example:
You moved the previous turn into the Sibylline Swamp (also from The Wyld Hunt) from the North, and now want to move onwards, to new lands, since you’d rather not go back in the direction you came from. You can only place a single League, to the East, since the South and West are borders. You draw the first League. If this has a River or Swamp on a (short) border, you play it to the East of the Sibbyline Swamp; if not, you move it to the bottom of the deck and draw another League. If you can’t play the second League, you can not draw another one, since you can only draw 2 Leagues for each direction.
After the Leagues are placed, you can move into a new League in any direction you chose. Pass the Enter and Leave trials, if any, as usual. The rest of the turn will proceed as per the normal rules (or the rules of whatever variant you follow).
If your Character has a Special Ability or Merit that allows you to travel for more than one League per turn, you repeat the process of placing new Leagues immediately after you have moved into the first League. If you are unable to play any Leagues the second time, you have to remain in that League. If you used a Merit to travel for more than one League that needs to be exhausted to use it, you will still have to exhaust the Merit, even if you were not able to travel as far as the Merit allows you to travel.
If you play with the Character Triton (from King Ironheart’s Madness), you will be able to move diagonally only to Leagues that are already in play.
This variant can make Quests in which you have to travel to a particular League particularly challenging, as you do not know where it will show up on the map, and you might have to retrace your steps before moving into a new direction. To avoid drawing the League you have to travel to to complete your Quest in the second turn (and thus complete the Quest in 2 turns), you could opt to shuffle that League into the League Deck only after you have moved 2 or 3 times.
What then do you do with Quest Treasures?
Before you start the game, select the Leagues where you will place your Quest Treasures. Note down which Treasures are at which Leagues, and shuffle those Leagues back into the League Deck. When you are able to play that League later in the game, place the relevant Quest Treasure under it.
The same rules apply if your Quest specifies that certain Waylays need to be placed on certain Leagues. If you have to travel to a particular number of Leagues for your Quest (as in Royal Cartographer or Reconnaissance Mission from The Wyld Hunt), select those Leagues before the game starts (possibly randomly, if the rules by which you play the rest of the game do not specify otherwise), note them down, and shuffle them back into the deck.
This variant may not work too well with some Quests, like Marauders (Quest 2 of The Wyld Hunt) or Hunted! (Quest 2 of King Ironheart’s Madness), in which you have to place Waylays on specific Leagues and then move them each turn. I have not tried this variant with such Quests. But you could try this: assign each Waylay to a specific League (and note this down). Whenever that League comes into play, you bring the Waylay also in play, and begin moving it then. If you also have to reach a specific League (like in Hunted!) only add that League to the League Deck after you have brought all those Waylay Leagues into play. If you come up with a different solution, let us know in the comments!
I love the world of Arcadia and I like more than a few things about the card game. But there are a few important elements of Arcadia that I don’t like much. One of these is the way Test and Trials are resolved.
In Arcadia, depending on which expansion rules you follow, you roll 1 or 2 six-sided dice to determine whether you succeed or fail at a particular Test or Trial. The highest throw always wins, and the outcome is simple: you either win or you fail. Or, you can reach a stalemate, if you both end up with the same score, but that does not happen all that often. This works well enough, I suppose, and does not complicate Waylays, but I’ve always thought this was a little boring and can slow the game down if you are not very good even at simple math (like me…).
These are the rules we have instituted:
Trials are done in the same way: the difficulty of the Trial is the roll you need to make to succeed, and the number of dice you roll depends on the value of the relevant Attribute of your Character. For example, if you have to pass a Might Trial of 7 and you have a Might of 2, you roll 2 dice, and need at least 1 roll that is a 7 or higher to succeed. (You could make it that you need to roll higher than the Trial difficulty—in this case an 8 or more—but that makes most Trials exceedingly difficult, in my opinion! That is what we did in the beginning, but it turned out to be very difficult to succeed. The way we do it now is actually the way it works in Changeling. Since most Waylays have low values for their Abilities, we kept our old rule—higher, not equal—for those, because otherwise it would be too easy.)
There are a lot of cards that modify your rolls. These are mostly Merits and Flaws, but also some Waylays that stay with you (like Polluted Water in King Ironheart’s Madness). Decide at the beginning of your games whether certain Merits that give you +1 allow you to roll one extra dice or give you +1 to all your rolls (and the same for Flaws that give you -1). We decided that most Waylays that give you -1 when undefeated subtract 1 from your rolls, but Flaws give you 1 less die to roll. With Merits it depends on what the Merit is—whatever is deemed most realistic or appropriate is what we go with.
There are a few downsides to using this method. This works well with King Ironheart’s Madness Waylays. Not so much with The Wyld Hunt Waylays, because they are weaker: lots of 1s and 2s, which are too easy to defeat. We therefore add 2 to every attribute of The Wyld Hunt Waylays.
The biggest advantage to using 10-sided dice is that the outcome is not just a victory or a defeat, but that there are degrees of success and degrees of defeat. I have already mentioned botching your Test or Trial, but you can also decide that the outcome of a victory depends on how well you really did. If the majority of your rolls are successes (even after the Waylay’s roll) you have a resounding success, which could lead to a very different result than a meagre 1 success. What happens in both cases is up to you. In order to make it a little more challenging, we decided that you need a certain number of successes to gain a win—the majority of your dice rolls, in fact. Anything else would then be a special stalemate: you do not exhaust a Merit, and the Waylay remains in place, but when you encounter it again the Waylay will have a -1 (on rolls for Savvy and Might Tests, on dice for Combat).